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Free Virtual Analog Synthesizer Plugin by BlauKraut Engineering

1. Oatmeal Vst Free
2. Oatmeal Vst Presets

One of the most resounding names in all Free VSTi synths is definitely Fuzzpliz Oatmeal. A lot of people actually give too little credit to this powerful synth due to its uniqueness and sound. But there is one feature that reigns supreme in this compact synthalmost like having your oatmeal for breakfastit’s that good. Oatmeal by Fuzzpilz is a Virtual Instrument Audio Plugin for Windows. It functions as a VST Plugin.

Charlatan is a polyphonic, subtractive virtual analog (VA) synthesizer plugin with focus on sound quality and easy usability. It comes with a flexible, yet not overwhelming feature set which encourages artists to start tweaking instead of just relying on presets. Inspite of it's simplicity, Charlatan's architecture is flexible enough to create both classic sounds and rather experimental noises. While making no compromise about sound quality, the sound engine has been highly optimized for efficient CPU usage making Charlatan well suited as a 'bread and butter' synth even in projects with a large number of plugin instances.

Best of all, it's FREEWARE! Enjoy!

Key Features

• 2 oscillators with shape modulation
• Oscillator hard synchronization and ring modulation
• Unison mode with upto 7 voices and stereo spread
• Stereo noise generator
• 2 ADSR envelope generators
• LFO with host tempo synchronization
• 3 filter types modeled after classic analog hardware: 4-pole (24 db/oct) and 2-pole (12 db/oct) lowpass, bandpass
• 3 voice modes: Monophonic, Monophonic Legato and 8-voice Polyphonic
• Ultra-low CPU usage

Latest Version

2.0 Final (2015-06-05)

• Fix loading of 1.x presets
• Fix popup menus with multiple monitors
• Make Amp envelope sustain parameter logarithmic
• Fix old presets (LFO Wave), add some new ones
• Reduce pitch drift

2.0 Beta 3 (2015-05-03)

• BUGFIX crashes on AMD systems

2.0 Beta 2 (2015-05-02)

• BUGFIX not loading in some hosts
• BUGFIX note hanging after switching voice modes

2.0 Beta 1 (2015-05-02)

• completely rewritten DSP engine resulting in roughly 50% (!) CPU savings in polyphonic mode
• unison mode with upto 7 voices and stereo spread. Even with 7-voice unison, CPU usage is very bearable
• major GUI overhaul
• additional LFO waveforms
• stereo noise
• some more presets
• mostly compatible with presets for Charlatan 1.x (*)

/vst-plugin-kickstart-64bit-vst.html. (*) Due to some tweaks to the sound engine, there may be subtle audible differences when loading some of the old patches.In most cases, it should be possible to compensate for those with some fine adjustments. Still, I recommend to keep anold 1.x version of Charlatan around if you need to fully preserve old projects. Sorry for the inconvenience.

Download

Latest version from 1.x (legacy)

User preset banks

Please note that many of the presets are already included (maybe slightly modified) in the official releases.

• ZN_Classics_for_Charlatan.fxb (Zorniko)
• ZN_Classics2_for_Charlatan.fxb (Zorniko)
• Charlatan_Bank_NedK.fxb (NedK)
• Charlatan_Bank_2_Tek.zip (Teksonik)
• alvfaria_charlatan_banks.zip (Alvfaria)

More banks can be found at the KVR database. If you want to share your presets, please upload them there.

Demo tracks

Solidtrax - Charlatan 21 by Solidtrax

Also, many exciting songs made using Charlatan exclusively are the submissions for the KVR One Synth Challenge (OSC) 33.

Support

Oatmeal Vst Free

Discussion about Charlatan takes place in the Instruments sub-forum @ KVR audio. If you have questions or suggestions, post them there. You can also contact me at KVR via private message (username karrikuh). Note that I don't take any responsibility for any damage you might experience from using my plug-ins, so use at your own risk!

Copyright © BlauKraut Engineering

Oatmeal is a two-oscillator subtractive synth.

Features

Two oscillators:

• Waveform: sine, sawtooth, pulse (square), triangle, user, and “user PWM”.
• Amp: Amplitude of the oscillator.
• Tpitch (aftertouch > pitch): The effect of note velocity and later pressure changes on the oscillator’s pitch.
• Pulsewidth, PWM rate, PWM depth. These are ignored unless the waveform is “pulse” or “user PWM”, in which case they set the base pulsewidth and the modulation rate and depth.
• Trans (transpose): Transposition of the second oscillator relative to the first (i.e. the voice’s pitch).
• Detune: Constant frequency shift of the second oscillator.
• Touch (aftertouch > osc amp): The effect of note velocity and pressure changes on both oscillators’ amplitude.

Noise (white or bandpassed):

• Amp: Noise amplitude.
• Touch: The effect of note velocity and pressure changes on the noise level.
• Resonance: If this is 0, unfiltered white noise is generated. Higher values increase the resonance of the bandpass filter, making the output purer.
• Transpose: Transposition of the filter’s center frequency relative to the note.

Filter:

• Filter type.
• Double (filter doubling): If this is enabled, two copies of the filter are run in parallel. See the “split”, “mix”, and “speed ratio” parameters.
• Cutoff: Cutoff or center frequency of the filter.
• Track (keytracking): In octaves/octave: if it is 1, an increase in the voice’s pitch of one octave will cause the cutoff to increase by the same amount.
• Reso (resonance): Resonance of the filter (if applicable).
• Split: If doubling is on, the second filter’s cutoff frequency will be this much higher than the first’s.
• Mix: If doubling is on, this changes the output amplitude ratio between the two filters.
• Touch (aftertouch > cutoff): The effect of note velocity and pressure changes on both filters’ cutoff frequencies.
• Mod (envelope modulation): Strength and direction of the filter envelope’s effect.
• Velocity: Effect of note velocity on the envelope modulation depth, not on the filter cutoff itself.
• Filter envelope: For details, see the envelope block below.
• Speed ratio: If doubling is on, the second filter’s envelope will move at this rate relative to the first’s.

Envelope:

• Attack: The time it takes for the level to reach 1.
• Hold: After reaching 1, the level stays there for this long.
• Decay 1: The time it takes for the level to reach the breakpoint; however, if the breakpoint is set to 1 (0 dB), this is skipped.
• Breakpoint: The point reached after the first decay phase (see just above to see what happens if you set this to 0 dB); immediately followed by
• Decay 2: The time taken for the level to change from the breakpoint to the sustain level.
• Sustain: Sustain level.
• Release: Release time.

Distortion:

Oatmeal Vst Presets

• Type: Hard clip, soft clip (tanh), sine (which can produce fm-like timbres or, failing that, horrible noise), or asymmetric.
• Mode: This sets where the distortion is applied:
  Global: i.e. once, after summing all the voices.
  Per voice: after the filter.
  Per voice: before the filter.
  Double: i.e. per voice before the filter and then again after summing the voices.
• Oversample: Oversamples the distortion to reduce aliasing.
• Pregain.
• Limit: The level at which the signal is clipped (or the amplitude of the sine).
• Postgain: In double mode, this is not applied to the per-voice distortion.

Chorus: https://Download-Yahoo-Messenger-Mac-Yosemite.peatix.com/.

• Mode: Sine, Ramp, and FM are essentially the same thing with different LFO shapes. Irregular is a bit different: the delay times of the voices vary randomly within the given range.