Sharing the same heritage as the highly acclaimed MR816 interfaces, the URs house outstanding converters and D-PRE Class-A discrete mic preamps. Each interface is completely adapted to your needs while sharing the hallmarks of the UR range: great build quality, stunning sound and flexible, fully integrated capabilities. Ultra-stable drivers for Mac OS X and Windows mean that the entire UR range supports all major recording software applications.
Output develops innovative software and gear for musicians, composers, producers and sound designers across all genres. Our focus is simple – groundbreaking concepts, new sounds, new sources of inspiration. BIGREV is a VST reverb effect plugin aimed for long and deep reverb tails. As all plugins in our OTP series, it's designed to give maximum sound with a minimum of complexity, so the GUI is reduced to the essential controls. We make digital reverb and analog-inspired delay plugins for musicians, engineers and other audio artists. We're obsessed with creating powerful tools with simple interfaces. Our goal is to inspire you and help your work to flow.
Rez3 is a Resonator FX VST plugin, it offers a multi LFO with 6 different waveforms and an envelope follower to modulate tone, feedback, filter cutoff and filter resonance. Place the REV-B.dll into the folder where your VST host application is looking for VST plug-ins. To uninstall remove the REV-B.dll file from your VST Plug-ins folder. Make sure the folder permission are set to 'all' Show your appreciation by making a donation. With 14 GB of high-quality content packed into four powerful engines, REV invites you to hear lush synths, organic instruments, and multi-layered elements from end to beginning. Presets for Days If starting from scratch isn’t your jam, choose from thousands of built-in or expansion pack presets, and leave the prep for the sous chefs.
Development Story
This story is about exploring the development concept of the UR audio interfaces and the secret behind their worldwide popularity.
D-PRE microphone preamps
All UR audio interfaces offer D-PRE Class-A discrete mic preamps from Yamaha. The D-PRE is carefully designed to capture all the subtleties and expressiveness of any audio source and is the culmination of years of development by the experienced engineers at the Yamaha Corporation.
The preamp is where sound creation begins in recording, and ultimately determines the quality of your mix. D-PRE Mic Preamps sound stunning, and the difference is in the design. Usually, preamps use one transistor each for the hot and cold signals at the input stage to amplify the signal. However, the D-PREs specified on Steinberg audio interfaces use an inverted Darlington circuit, where two transistors are used for each hot and cold — a total of four per unit. With only one transistor on a preamp circuit, distortion tends to increase along with the signal level. By using a pair of two cascaded transistors, very low distortion can be maintained regardless of signal level.
Some users might look for a microphone preamp to dramatically color the sound while others search for a very neutral response. For example, some highly sought after vintage microphone preamps excel at amplifying certain components of a given source, imparting a generous amount of color to the signal. Such a preamp might be great for a vocal recording, however those preamps will not suit every use.
D-PRE has a very wide frequency range so that it can handle any music source and it does not overly amplify any specific components of the signal. It’s beautifully tuned to be able to capture the true expression of a given performance or audio source, while leaving flexibility for later editing. The end result is that D-PRE provides a sound that is a perfect amalgamation of understated signal enhancement combined with impeccable sonic integrity. The development team took a lot of time to adjust this subtle balance and the D-PRE sound quality speaks for itself.
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Powered by Yamaha’s custom-designed SSP2 DSP chip, you can enjoy the benefits of dspMixFx technology, which offers latency-free monitoring together with the highly acclaimed REV-X reverb, the Sweet Spot Morphing Channel Strip and Guitar Amp Classics* for users of any DAW software.
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The UR824, UR28M, UR44 and UR242 highlight three DSP-based effects — Guitar Amp Classics, Sweet Spot Morphing Channel Strip and REV-X. Plus, the Basic FX Suite provides VST 3 versions of these studio-grade effects.
Guitar Amp Classics
Guitar Amp Classics make extensive use of advanced Yamaha modeling technology. Four amp types with completely different sonic characteristics are provided, CLEAN, CRUNCH, DRIVE and LEAD. Best of all, you get a DSP-powered version and a VST 3 version of Guitar Amp Classics. So you can record the dry signal with your favorite amp sound without any latency using the DSP version. Once you're done, you can re-amp the recorded track with the VST 3 version.
Rev Vst Plugins
Sweet Spot Morphing Channel Strip
The Sweet Spot Morphing Channel Strip consists of a sidechain-enabled compressor and a three-band parametric equalizer. Both EQ and compressor were developed to attain a highly musical sound. Its featured morph knob smoothly allows you to morph through both EQ and compression settings in combination in order for you to come up with the ideal sound very quickly just by using one single control element.
REV-X reverb
The REV-X built into the UR824, UR28M, UR44 and UR242 is a complex reverb algorithm developed by Yamaha. Renowned for its high density, richly reverberant sound quality, with smooth attenuation, spread and depth that work together to enhance the original sound, the REV-X features three types of reverb effects: Hall, Room and Plate simulations with reverb time and level control.
True Integrated Monitoring
When using Cubase, all the advanced monitoring capabilities are fully integrated into the application's GUI by True Integrated Monitoring technology. All aspects of I/O handling and DSP management are handled directly from within Cubase. Cubase automatically embeds your device into the Cubase production environment and manages all audio streams with perfect sync, allowing for a highly efficient workflow that boosts productivity to new levels.
Plus, the URs feature direct integration into Cubase with dedicated windows and views that only appear when they are connected, providing full control of the hardware’s functionality from within Cubase itself.
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Loopback function
For easy live streaming of performances to the internet, the Loopback function consolidates all playback tracks and input channels and routes the mix to your internet streaming software. This function is often used by hosts of internet live streaming programs. When the function is active, incoming audio signals such as microphone, guitar or line source will be merged to the playback signal from an audio playback software like Cubase or other DAWs inside the computer. The merged signal will then be send back to the computer for streaming.
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192 kHz
All components are carefully selected and implemented for full resolution of high-end audio of up to 24-bit/192 kHz. A higher sampling frequency means more samples of the audio source, resulting in better reproduction of the original sound, contributing to the naturalness of audio image and ambience.
Rev Vst
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CC Mode
All UR interfaces can be switched to CC (Class Compliant) mode*. In this mode the interfaces work with the iPad and iPhone. Combining the UR units with an iOS audio application, such as Steinberg’s Cubasis for iPad, you get a fully mobile audio recording solution.
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JetPLL
For signal synchronization, the UR824 interface also features JetPLL, a patent-applied solution for audio network jitter. JetPLL provides the same performance as traditional, expensive clocking solutions found in the world’s best professional clocking products.
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* Please note: Some of the above-listed features are only available with the free version 2 firmware update for UR824, UR28M and UR44 (e.g. CC Mode, Guitar Amp Classics and Loopback function). So please make sure to get the latest driver and firmware updates for your device.
Why UR
Find out more on what you can do with the UR interfaces.
Discover the UR line-up
Check out the UR models page and find out what's the perfect interface for you.
UR bundles
Looking for hardware and software? Our UR bundles studio-grade hardware with perfectly integrated software.
Team V.R 16 November 2020 67.2 MB
(Win32/64; AAX*, RTAS, VST3, VST, STANDALONE)
Included:
- AB_LM v1.7.1 – AB Loudness Match
- AMM v1.0.14 – Automatic Microphone Mixer
- CS-3301 v1.6.8 – Channel Strip
- CS-5501 v1.4.12 – Extended Channel Strip
- dEQ6 v3.2.4 – Dynamic Equalizer / Multiband Compressor
- dpMeter4 v4.3.11 – Free Multi Channel Meter
- dpMeterXT v2.0.11 – Broadcast Loudness Meter
- DSEQ v2.2.3 – Dynamic Spectral Equalizer
- DynaRide v1.2.7 – Vocal & Bass Riding Leveller
- Euphonia2 v2.0.11 – Spectrum Balancing
- FinalLoud2 v2.0.13 – Loudness & True Peak Finalizer Tool
- GainRider2 v1.0.17 – Vocal Gain Riding Leveller
- gEQ12V3 v3.2.3 – 12-Band Graphic Equalizer
- Impress v1.9.24 – Compressor
- ISOL8 v2.1.2 – Free Mix Monitoring Tool
- LA xLimit III v3.0.12 – Enhanced Limiter
- mvMeter2 v1.0.26 – Free Multivariable Meter
- SLM2 v1.3.14 – Smart Loudness Maximizer
- ST1 v1.1.5 – Spatial Tool
- sTilt v2.0.1 – Free Spectrum Tilt Filter
INFO/DEMO/BUY:http://mage.si/3wfM
TBPA Plugins Pack 2020.11 WiN CE-V.R (REV.2)
http://beelink.in/37507/TBPA-Plugins-Pack-2020-11-WiN-REV-2/
henr1e44a.netlify.app – 2018